Review: The Keeper of Lost Art

The Keeper of Lost Art by Laura Morelli
My rating: 3 of 5 stars

3.5 stars 

I received this book for free, this does not affect my opinion of the book or the content of my review 

“That's the power of art,” the maestra adds. “It can tell a story. An official story. But each one of you might also see your own story in it. At a minimum, you might find hope, even when there is darkness.” 

The Keeper of Lost Art was a historical fiction story told from a twelve year old girl's eyes in Italy during World War II. It's a coming of age character story inside a dark historical time period. It's 1942 Italy and Stella has been sent to the countryside by her mother to her uncle and aunt's, in hopes it will be safer for her. Stella has never met them but with two girl cousins around her age, even with an aunt that seems to dislike her, she's trying to fit it. Her uncle was the driver for the owners of the villa but with the English owners escaping to Switzerland, Stella's family is left in charge. It makes her uncle's decision to agree to hide paintings from the Uffizi Galleries even more brave and dangerous. As the war rages on, even the countryside begins to feel it's effects as German soldiers and then all nationalities descend on their villa, all while Stella gets a front row seat to the vagaries of human nature and the importance and meaning of cultural art. 

All they want is an end to the interminable suffering, a solution that will bring their husbands and sons and fathers back to them. And they just want to go home. 

Having the story told from a twelve year old girl's eyes, who ends up fifteen by the end of the story, added a naiveté that worked to allow the author to add historical explanations and emotional building while keeping the gritty and darkest tones at bay. The aunt knows the threat of violence specific to Stella and her cousins but Stella doesn't quite comprehend it, as she ages she emotionally grows and it starts to creep into her conscious but the tone and direction of the story was more about how works of art, cultural touchstones, can inspire and give people reasons to hope during dark times. The works hidden at the villa focus on Botticellis', specifically his Primavera. When Stella befriends, Sandro, a refugee boy her age, his interest in art builds her own and we get looks at how much art can mean to people. 

“You mean we risk our lives to save the paintings,” Sandro says. 

Signor Fasola stands silent for a long time. “Yes. That is the reality of it. But we can't let them take or destroy whatever they want.” 

“But...why us?” Sandro asks. 

“Why not us?” Signor Fasola says, the twin frames of his glasses reflecting the glowing light. “If we don't take some action---any one of us---then who will?” 

I thought the middle and latter half dragged a bit as the story began to, not quite wax poetic, but indulge in the emotional hope and uplifting of cultural art. As it's told from Stella, there's allowance for a less outwardly scope but these people were starving and living in threat from all avenues, so the continued art talk started to drag-on. Even though Stella and her specific family were fictional, the historical events and villas in the Italian countryside hiding art to protect it from war, were all true. Each chapter started with a fictional entry from Botticelli's diary and an American Captain from the famed Monuments Men and Women division that worked to save and recover cultural artifacts. This was a good additive as Botticelli's musings from the 1400s echoed the Captain's from the 1940s, showing shared importance and circular problems humans create for themselves. 

A long chain of people who cared enough to risk their lives, to devote their whole careers, to preserving the things that matter. Artist or no artist. 

You'll begin to care for Stella and the characters that start to make-up her family, part of the dragging issues in the latter half I discussed involve abandoning these human characters in favor of the art, and realize that, yes, saving the Humanities, is extremely important. The ending delivered sadness and hope, with Stella taking what she learned during those three years and having the courage to chase those wants and dreams.

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