Thursday, July 10, 2025

Review: The Strawberry Patch Pancake House

The Strawberry Patch Pancake House The Strawberry Patch Pancake House by Laurie Gilmore
My rating: 3 of 5 stars

2.5 stars 

I received this book for free, this does not affect my opinion of the book or the content of my review 

Archer Baer had just become a father in the most unimaginable way possible. 

Archer is living his dream as a chef in Paris that he has worked so hard for when he gets a call that completely changes his life. It seems five years ago, the restaurant front house woman he had a fling with, got pregnant and never told him. Tragically, she has died in a car accident and with his name on the birth certificate, Archer suddenly finds himself back in the states and in the small town of Dream Harbor trying to raise his young daughter Olive. Iris has always been flighty and doesn't like to settle into things, which makes life exciting but isn't great for her ability to pay rent. Even though she's not the greatest fan of kids, taking on the job of live-in nanny for Archer and Olive, seems like a great summer job. Until the chemistry between boss and nanny gets to be too much. 

He didn't know how to make pancakes, or raise a child, and he certainly didn't know how to say no to Iris Fraser. 

Fourth in the Dream Harbor series, this could still be read as a standalone, as the setting remains the smalltown but you wouldn't have to know the ins and outs of returning characters relationships, readers of the series will enjoy seeing some old friends. Like with all the Harbor books, this had some sweet moments and spicy. If you're a fan of The Bear for the “Yes, chef” tension, this is steeped in it (a bit repetitive at times). Even though there's a baked in power dynamic favoring Archer as the boss and Iris living in his home, he constantly asks for consent and lets Iris call all the shots on how much and how fast. Iris tries to stay away, thinking she could be messing up Archer's chances at getting full custody of Olive after the six month probationary period but while she spends some of the first half thinking about it, she doesn't put up too much of a fight and teases and pushes until they finally crumble and get physical. 

She had every intention of leaving, she really did, but right as she went to turn around, Archer lifted his head. 

Olive had her cute moments and brought some emotion with her and Archer's getting to know you vulnerable relationship and Iris realizing she could not only tolerate kids but like them, Olive anyway. The story was over 350pgs and I have to say the beginning later second half did drag as we “Yes, chef” and “we can't, but touch me!” got dragged out too much, there just didn't seem to be enough tension and angst to keep these two apart for more than 200pgs. 

He didn't know what Iris wanted in the long run, but if there was an inkling of a chance that she wanted him, then he had to take it. 

The ending went a direction that I can't tell felt off and betrayed Iris as a character (there's a little lead in with her evolving relationship with Olive) or if the current real world climate made me personally dissatisfied with it. The majority of the book had Iris not feeling kids were right for her and while she grew to love Olive, it felt somewhat off that in the last 15% she, without much discussion, would decide keeping a baby from a brand new, not even certain relationship, was totally the way to go. I don't know, it just raised some questions for me, but your mileage may vary. Similar to the tone, characterization, and pace of the others in the series, with Archer falling first and trying to play it cool to not scare Iris away and Iris deciding that a life she couldn't fathom before was actually perfect for her, fans of the series will no doubt enjoy this one as much as the others.

Monday, July 7, 2025

Huh?

I just saw Lord of Hawkfell Island by Catherine Coulter centered in one of those book graphics and an arrow pointing at it saying Historical Rom-com.


Granted, I read this sometime in the mid 90s but, rom-com??? 
This is the one where the MMC is a Viking who takes the FMC Viking captive and his family is trying kill her?

I understand nothing about new marketing deployment of terms and how people are using/understanding them.

Any wild ones (you felt anyway) other readers have seen out there?

Reading Update: Page 1

 



Starting off the week with these goodies! 

I've been enjoying the sweet and spicy Dream Harbor series and I can't wait to see our free-spirited Iris get matched up with the new intense chef in town, Archer. 

Archer has just found out he has a five year old daughter and upended his life in Paris to come take care of Olive after her mother died. Getting a live-in nanny sounded smart but being attracted to her, Not Smart. 

Bring on the sexual tension Iris and Archer 😍 




Sunday, July 6, 2025

Review: Smile for the Cameras

Smile for the Cameras Smile for the Cameras by Miranda Smith
My rating: 3 of 5 stars

I received this book for free, this does not affect my opinion of the book or the content of my review 

And at least one death happened here that wasn’t caught on camera. 

Twenty years ago, Ella starred in the horror movie Grad Night. A small budget film that became an instant hit and has developed a cult following with the progressive sequels. While the film jump started her career, it emotionally destroyed Ella and after a few years on a popular sitcom, she left Hollywood to take care of her sick mother. Now that her mother has died, Ella's ready to try and revive her career. A middle aged woman has a harder time landing roles, so Ella's agent pressures her to do a Grad Night reunion documentary that fans have been clamoring for, in hopes it will open doors for her. Ella lost touch with her cast mates and has tried to steer clear of anything Grad Night, as one murder happened on set that wasn't filmed. Back at the cabin in the woods that started it all, it seems that the secret Ella and her cast mates worked so hard to keep quiet is known by someone and they're willing to murder over it. 

A tall figure stands at the railing, also dressed in a graduation gown and with a blood-spattered lion mask covering the person’s face, an axe with a bloody blade in their hands. 

As a big movie slasher fan, I was excited when I read the synopsis of this. It's told in alternating timelines, Then – 20yrs ago with the movie being filmed and Now – present time with Ella back to the film's location and everyone filming the reunion doc. The alternating timelines are to keep moving the story along in the present time but with the mystery kept quiet until the end of what really happened twenty years ago. There's also add-ins of the movie script, which I really enjoyed as a movie fan. I liked how the story was structured and set-up but I'm not a big fan of unreliable narrator and that tactic was deployed to keep the killer a secret; it feels too cop-out manipulating for me. I enjoyed the first half but then the middle and beginning ending started to sag as Ella and her cast mates kind of just moped around. There were some interesting aspects to the secondary characters but as this was told from Ella's point-of-view, everything is from her perspective, so readers never really get to know the cast until the very end. The story started to ramp up around 60% when the present time murders began to happen and we finally got some slashing. 

You don’t think about what you’re doing, you just do it. 

The vibe of the story felt like a vehicle to go over the #METOO movement and sexism and predators in Hollywood, which, ok, but a lot of the time this was focused on, it felt like the story stopped and we got some awkward fitting pulpit preaching. There were some surprise reveals and just a little head scratching at the who and motives, but still entertaining. Structured interestingly, dragged out in middle because I'm not sure Ella was a strong enough character to carry the story, unreliable narrator, kind of awkwardly fit in preaching, surprising reveals, and some chills and thrills. There were a few call-outs for lovers of the horror movie genre to appreciate but I thought the nine month's into the future epilogue could have used someone popping out of a lake to liven things up.

Wednesday, June 25, 2025

Review: Look Before You Leap

Look Before You Leap Look Before You Leap by Virginia Heath
My rating: 2 of 5 stars

I received this book for free, this does not affect my opinion of the book or the content of my review

Miss P had seen something in her to handpick her. Her! Lottie Travers! Tomboy extraordinaire. 

Look Before You Leap is second in the Miss Prentice's Protegees series but you could start here easily, like I did. Lottie was the tomboy who was raised on a farm with four brothers and lost her mother at a young age, young woman trying to smother her wild streak in order to make it as a governess. She has a leg up by having been trained at the lofty Miss Prentice's but after two failed governess jobs, she was busted sneaking out and riding horses in the morning, along with kneeing a bent on assault heir, her marketability is lessening. She winds up getting placed as a companion to an older “dragon” lady, who also winds up being the aunt to a man she accidentally unhorsed when she ran into him during one of her wild gallops. 

Except the sea was now poisoned and he had learned his lesson well that love was for fools. 

Lord Guy Harrowby is a Viscount who much prefers to remain isolated on his farm in Kent, where Lottie is originally from. He made a fool of himself when he was twenty-one over a woman who was only using him to attract a duke and has let the shame fester in him over the years. He lost his father when he was younger and now his mother is guilt tripping him hard to let her throw him a thirtieth birthday party because she wants grandkids. It's all shenanigans as Guy's mother and aunt conspire to throw a house party, instead of the one dinner party he agreed to, and rope Lottie into it all. Guy's still angry at Lottie for the unhorsing incident and how she reprimanding him for it but by 40% they've both made their apologies to each other and you can see their friendship start to develop. 

He had been engaged in a full-scale war between what his sensible, battle-scarred head and his clearly still reckless but equally battle-scarred heart wanted. 

There's physical attraction to go along with that building friendship, a lot of bonding over horses, and some steamy, but interrupted, foreplay (there's an open door scene later on). I was not a fan of how much it was iterated how shallow, dumb, and annoying all the other woman were that were invited to the house party. It becomes very tiring that a chunk of the way you lift your main female character up is to constantly put down the majority of the other woman characters. The series seems to be tied together by a group of friends Lottie had at Miss Prentice's but we don't see a ton of them together, which I missed. 

The menace hadn’t just seduced him, she’d thoroughly bewitched him because nothing would shift her from his mind. 

The third act breakup had Guy going completely off the rails with how mean he is verbally to Lottie and ended up feeling forced to me. I know he's still dealing with his issues of betrayal from his first love but Lottie so clearly didn't deserve the harsh blame. It had been built and layered that Guy was this man of the little people, had visited her father's farm and had her talking to him about how she sent money back home for them, so readers have been reading about a character that by all accounts understood Lottie couldn't lose her job and would feel compelled to do what her employer told her to do. Instead we get a forced to disregard those building blocks in favor of a snapping Guy. It caused drama but the scene and his actions just didn't feel true to me. 

She grabbed a fistful of his cravat. “Just shut up and kiss me.” Lottie dragged his mouth to hers as she simultaneously yanked him inside. 

The ending has Guy making that public move he never would have been able to in the beginning but since we've seen him fall in love, doesn't think twice of it for Lottie. Lottie had charm in her stubbornness and I liked Guy until I really didn't when he blew up on Lottie, and with a very abrupt ending, they got their HEA.

TBRChallenge Review: Seize the Fire

Seize the Fire Seize the Fire by Laura Kinsale
My rating: 3 of 5 stars

Tl;dr: Imperfect characters who made awful and heroic choices and a second half that was mostly about war PTSD 

*This is a #TBRChallenge review, there will be spoilers, I don't spoil everything but enough, because I treat these reviews as a bookclub discussion. 

June's TBRChallenge theme was Road Trip, so I headed to my tbr feeling historical and glancing at reviews to see which ones had people talking about traveling. When I saw this Laura Kinsale's fit the bill, I happily jumped in. I read the first 50% of this in one sitting and then my reading mojo hit a major (for me) snag and I couldn't concentrate enough to read for five days straight. I'm mentioning this because I'm going to, mostly, blame my mojo, but I do also think the second half had some major pacing problems, just tough to parse from own issues. My brain can be a sieve, so that first half I raced through, EONS ago!, I guess I'm saying this review/talking about is going to probably read disjointed and foggy, enjoy! 

If you've read Kinsale before, you know you're in for an emotional ride. Sometimes it rips my guts out (The Prince of Midnight) and sometimes I get left on the dock watching the emotions drift away from me (Shadowheart). This one had my eyes filling up and at other times dry eyed wanting to skim, my scatterbrained undecided review, enjoy! 

"I loved you." Her voice trembled into a squeak. "I loved you…and you…betrayed me."

I'm going to start this with the author dedication, This book is dedicated to the combat veterans of Vietnam With respect, and love, and hope for healing. While you'll see the beginning of this from our lead Captain Sheridan Drake in the first half, your enjoyment of the whole second half is going to be if you remember this dedication and read it with the understanding that the story is now all about it. Your enjoyment is also going to hinge on if you want/can handle your leads being deliciously, frustratingly not perfect, because boy howdy do both Sheridan and Olympia fuck it all the way up numerous times. 

The hero she'd loved with all her being had not died. He'd simply never existed. 

The first half has Olympia, our sheltered princess of a small country but has lived all her life in England, setting out to meet her new neighbor, Sheridan. She's heard all about his bravery on his ship and wants to enlist him to use his contacts(???) to help her get to Rome. Why Rome you ask? She's going to appeal to the Pope to stop her betrothal to her uncle (I'd hurry my ass there too!). Her grandfather currently leads the country but he's old and the people have been grumbling for an overthrow to set up a democracy, which Olympia is fully for and plans to help happen. She is the completely young and naive do-gooder that knows the right destination but has no idea what it takes to get there. Readers know Sheridan isn't quite what the papers make him out to be and that he is completely destitute after his father who loved to pull pranks (incredibly dangerous and mean “jokes”) had him invest all his money in a train venture that went bankrupt. There's also the added connection that Sheridan's father's ex-mistress is/was Olympia's governess and tells Sheridan that his father's will gives him nothing, unless he does what she says to do(???). This leads to Sheridan offering marriage to Olympia to save her from her uncle, at ex-mistress' behest and somehow an English ambassador is also involved in telling Sheridan what to do, but she refuses having been poisoned by ex-mistress that she's too fat and unattractive. Sheridan decides to set-up his own plan and agrees to take Olympia to Rome, he sees how jewel rich she is, and then pretend to be kidnapped/killed by a secret assassin group that is after him(???) and steal her jewels riding richly off into the sunset, leaving her behind. 

He laughed bitterly. "God, they were idiots. They'd ask how many ships I'd sunk and how many men I'd killed hand to hand…as if I kept a damned running account. They always wanted to know how it felt…" His voice had begun to shake. "But I never told them. They didn't want to know the truth. Not really." 

It's a bit of a convoluted set-up, especially since Olympia's country drama winds up being like 10% of the story and doesn't come in at all until again at the end. By 20% we have them going on their road (ship) trip and then it's all on with them getting captured by pirates, shipwrecked, living on a island for months, saved, captured by pirates again, sold into slavery, and surviving a blood drunk mob. Late '80s historical romances aren't to be trifled with! There are dated terms in this and Sheridan's manservant/frenemy Mustafa is a bad characterization, so content warnings abounding again. While I enjoyed the meat of how the author allowed Sheridan and Olympia to make bad and wrong choices, they betray one other more than once, I could see how they would ultimately work together but I'm not sure I'd recommend this for the romance. I liked how Kinsale had Sheridan trying to warn Olympia off of him and how even though he thinks he's not worthy, Kinsale even has him do unworthy things (I'm not talking heinous things here), he always remained redeemable to me, which I think can be a good message. The juxtaposition of broken down tattered Sheridan and the bright shiny heroic younger captain that comes in later to be a romantic wedge between him and Olympia was perfect, especially since the shiny guy turned out to be under it all not so great, which YES, give us readers these emotions to wrestle with! The second half is more of a deep dive into how soldiers can be so lost after coming home from war. 

That she would not hate him. That she was glad he was on her side. That he could keep them safe without violence, without hurting anyone. He tried to believe those things. He repeated them to himself. But he was afraid. 

Sheridan is a broken man after all he had to survive. As the reader, it broke me how he was a boy who wanted to make music but after a “joke” by his father gone wrong, ends up on a ship in his preteens and is thrust into trying to survive war. I couldn't help thinking of all the current kids who just want to make music and instead have these awful circumstances thrust upon them; Kinsale did a really great job showing and articulating through Sheridan the scars such a life can leave. There was also an eye watering scene where Sheridan had finally let himself love Olympia only for her to betray him and oof, the emotions he went through here: 
He should have known. He should have realized. It had been so hard for him to believe it was happening. That she could come to know him for what he was, fully, and understand what he'd done by opening the circle of himself and including her. They'd fought together, survived together, shared the miseries and the laughter and the disasters, and each small morning victory of waking up alive. He'd thought that meant something. That was love, that was the only name he had to give it. Last night, when in the midst of his whining concern for his own skin she'd said she loved and trusted him, he'd been so certain of it. He would have died for her then, he would have killed every man on board to protect her—except this was civilization, not a battle, and all he'd been able to do was make some brainless joke to cover the raw surge of emotion and then retreat before he embarrassed himself beyond recovery. She loved him. It had been hard to believe that; it had gone against every instinct built up in years of solitude, but he'd convinced himself. Aye. And he was wrong. 

The love, the betrayal, the pain, just, the THE of it all! Meaty characters. 

"Princess." His voice had a plea in it. "Do you understand? I don't know why the world is like this; I don't know why we go out to fight something that's wrong—something so much bigger than we are, something that ought to be fought—and end up creating a thousand little horrors to stop a huge one. Slavery's wrong. Tyranny's wrong. You weren't stupid or naive or trivial to believe that. You're right. Maybe your revolution was right. You just…didn't understand how real it would be." 

The end has Olympia experiencing some trauma of her own and realizing her own naivety and a reveal for Sheridan that changes some things. This does end in an HEA but I felt a bit too rung out to have that high lovey dovey feeling for them, it's more of a gritty solemn one. The first half read fast for me but some convoluted set-up while the second half seemed to get lost and repetitive stagnate paced (could have been my no mojo brain!). However, if you remember that dedication and realize this whole story was a cover to talk about war induced PTSD you'll feel Sheridan's pain and probably think of the women and men in your own life who never fully make it back from war. These leads lied to each other, fought and survived together, were mean to each other, saved each other, and loved each other, they weren't perfect characters which honestly felt deliciously meaty to me at times. 

"I'm here," she said into his shoulder. "I'm here, and I love you. I love you no matter what."

Tuesday, June 17, 2025

Review: Sour Cherry

Sour Cherry Sour Cherry by Natalia Theodoridou
My rating: 3 of 5 stars

A critic said, “Gothic tales rely on distant pasts and faraway lands full of people unlike us,” except he was wrong, because the land of this story is everywhere. The people are us, the time is always. 

I buddy read this over on a horror Discord. 
Quick thoughts and comments: 

I'm a big fan of folklore, Gothic, horror, and Bluebeard reimaginings/retellings, so I was pretty much the ideal audience for this. I don't know how, but this felt like a fast read and one that dragged all at the same time. The synopsis/marketing copy talked about it being a feminist take but it takes until the second half for the focus to really be on the wives of the tale. That and the different pov and tense changes feeling needlessly challenging and confusing to try and create a mysterious creepy vibe, was mostly why I had a problem with this. Also, some aspects of the story were focused on (Tristan) that felt  counterintuitive and interruptive  to the story's messaging of how abusive men get societal protection and how women get placed in and manipulated into caretaker and shield roles in abusive relationships. 

The first half felt super wonky with how it was structured but the second half read better to me, even though I was annoyed at how it sped through the wives, except for Eunice where I thought the story really settled into what it wanted to be. The focus on the last “special” wife Cherry was back to annoying to me because I think the story lost it's focus again and seemed to want to end the story with stating that Cherry was just as bad as the abusive man, which ok, but then what is this story really about, not what I showed up for based on the synopsis. 

I liked this and was annoyed with it, the atmospheric wonky structured folklore parts mostly didn't work for me but since I'm a fan of that type of storytelling, I still found parts I liked, I think a good chunk of readers will struggle with it, though. The first half felt like it focused on everything and nothing and when I finally found the story working for me in the second half, it sped through it to get to the final wife, a character that did nothing for me. I liked how it showed the systems that protect abusers but not sure this retelling did anything new or attention catching.

Monday, June 16, 2025

Review: Sterling Hearts

Sterling Hearts Sterling Hearts by L. Speckhals
My rating: 2 of 5 stars

I received this book for free, this does not affect my opinion of the book or the content of my review 

Sterling Hearts was a first person point-of-view contemporary story of a young woman trying to find her footing in life. Evie has broken up with her emotionally abusive boyfriend and decided to move to the Appalachian area after she fell in love with a town her and the ex had passed through during a vacation. It's a small town but alive enough that she thinks an independent bookstore can be successful, her dream. Evie works to stay walled off, she wants to have a professional persona as a business owner and is still recovering from her abusive relationship, but when a man she dubs “The Cowboy” buys a children's book from her store, she can't help but let him a little. 

This had sweet and cute moments but so much of what kept Evie and Blake (the cowboy) apart was misunderstandings that extremely easily could have been cleared with one simple asked and answered question. This read like a slice of life story with a romantic thread as Evie is very focused on getting her store running and worrying about her business persona in town. When her bestfriend comes to stay with her, we get a more livened up version of Evie as the friend pushes her to get out more and give Blake a chance. 

There's a little bit of a mystery plot with some mysterious person who, through a sort of broker, Evie lets sell jewelry in her bookstore, that will have readers guessing and more than likely know the identity before any reveals. Evie and Blake spend some moments together with helping each other fix cars and redo a bathroom but they talk about everything but Blake's life, his secrets felt needlessly drawn out and ultimately made his character feel kind of blank to me. This was closed door with some hot and heavy making out but the way Blake's character never really revealed things about himself, kept him and his trying to build relationship with Evie feel distant and I never felt emotionally drawn to it. 

The so easy to clear up misunderstandings Evie had that could have been taken care of with one question asked to Blake made Evie's reluctance feel dragged out and kept a large part of their relationship from developing. This was a slice of life with a very to be continued feeling ending that unfortunately didn't develop as much emotional depth in characters and relationships that typically pull me into stories.

Sunday, June 15, 2025

The voices said No

I'm just going to say what I did on Bluesky:


If you've been involved with democratic causes in the last decade in MN, you knew Speaker Hortman and her tireless work to make life better for every Minnesotan. I'm devastated that a continued to not be reckoned with domestic terrorism American ideology has led to the political assassination of her and her husband and the attempted assassination of Sen. Hoffman and his wife. 

The St. Paul rally went forth because our AG Ellison said he was still showing up. Other rallies closer to Brooklyn Park and Champlin were canceled. 

The way some of you almost, gleefully, repost information that has yet to be confirmed, fix your hearts too. Personal bias and acceleration thirst helps no one. I don't want any of that along with thoughts or prayers. I will take your courage and body out in your own communities doing the work. 



Today, I'm not getting out of my jammies, decompressing, grieving, uplifting with all the pictures and videos posted from yesterday, and only accepting to add a few things to a schedule I previously cleared for the week. 

Do the work, take the rest, get back to it

Love and solidarity

Monday, June 9, 2025

Reading Update: Page 1

 



Creamsicle season! This summer I went with cookie form and paired it with a contemporary romance. 

Evie's opened a bookstore that everyone's warned her will be a challenge but she's throwing herself into the adventure. 

There's also the guy who keeps visiting that she thinks of as "The Cowboy" who might turn out to be her biggest adventure of all. 

A contemporary closed door with a cowboy and bookstore? Diving in!



could only find for sale on Amazon